Henry Poole decides to give up. He moves into his old neighborhood and drinks himself unconscious. Even though it seems that Henry has no reason left to try, God is not finished with Henry yet. One of Henry's neighbors, a devout woman named Esperanza, discovers the face of Christ in a water stain on Henry's stucco wall.
At first, this is just exasperating to Henry, played by Luke Wilson. But this is just the crack God needs to squeeze back into Henry's world. First Henry meets the little girl next door, Millie, who suffers from abandonment and has stopped speaking. The parallels drawn between Henry and Millie reveal the crux of Henry's problem. He, too, suffered loss as a child and has never been quite whole since. You feel that the diagnosis that causes him to withdraw is just part of the same story of life letting him down, of God forgetting about him. Henry even has a safe space he created as a child, just like little Millie with the same kind of childish scribblings. But you find out that God hasn't forgotten about Henry, as much as Henry has tried to deny God and His power. Henry was drawn back to this neighborhood for a reason: here he meets people who care more about him than he cares about himself.
While a bit slow-moving and uneven, the subtle sweetness of this movie along with the charming cast save it. I enjoyed the sun-drenched California suburban location. It added to the reality of the characters and the story. Real lives are like this, with stories of loss and healing. The soundtrack is great, too, being rather alternative and folksy. I think there's even a new Bob Dylan recording in this film.
This film wasn't a big release and would never have been a big money-maker. Still, with a little help, it could have found a receptive audience, an audience that knows faith makes a difference and God leads us to healing.
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